Earlier this week, there was a stupid argument happening on Twitter.

Yes. I know. Inconsequential arguments between people who couldn’t find an open pit trap with a torch bearer and a ten foot pole is what Twitter is for. While there were some reasonable people and some valid points, many of the tweets amounted to insane screeching that would shame a gibbering mouther.

Such is #TTRPG Twitter.

This particular argument came about when a mutual of mine commented on a Reddit post. Here is the relevant Tweet.

Did the Dungeon Master Make Bad Call?

My main thought having read the original post was that the game master might have messed up but not on the basic call. Spitting on a violent criminal is something any reasonable person would assume to provoke a violent response.

If you don’t think that’s a reasonable response from the DM, try this experiment. Find a gangster slinging drugs on a street corner in any city and spit on him. Tell me how it goes in the comments.

Should the DM have killed the PC. Eh. Maybe? I dunno. Wasn’t there. Not enough context.

If one of my players did that, it might have ended much the same way.

I’d make a reaction roll with a significant negative to decide if the boss just beat the PC or killed them outright. It would also depend on the NPC. A psychopath NPC or a hardcore thug with a reputation to maintain isn’t going to tolerate that sort of disrespect. He can’t allow that sort of thing and keep face.

Regardless, It would not have been good for the character. Depending on the NPC, death would have been a possibility.

If I decided the boss was going to kill the character there would have been no dice rolling. I would have narrated that the mob boss sticks a blade in the character’s throat like Top Dollar kills Gideon in The Crow.

The place where I think the DM clearly messed up was the information exchange. My players are fully aware that if their characters are completely in the power of a high powered NPC and chose to insult the NPC, the outcome would be…unpleasant.

A new player at my table would get a rundown of the situation they are in, the neighborhood reputation of the boss and the possible outcomes before they got the old, “Are you sure you want to do that?” If they persisted with the spitting… Roll a new character.

Reading the post, it seems like the player was not aware their character was in mortal danger. The DM may not have informed the player that characters could die as a consequence of their choices. It wasn’t necessarily a bad call to kill the character but the original post indicates there was a disconnect between the player and the Dungeon Master.

It may also be that the OP was a troll. The post came from Reddit.

You Can’t Ride Two Horses

Reading the post, the Tweet about the post and the responses to the Tweet about the post… causes me to reflect that some Dungeon Masters only have one ass but are trying to ride two horses.

The sense I get from the original post is the Dungeon Master put the characters into a pre-plotted encounter where no matter what they did, the PCs were going to be captured. The PCs were brought to the boss who was going to give them an offer they couldn’t refuse as the railroady plot point in the DM’s story.

The player made a choice that felt like something a brave protagonist hero would do in a movie.

The player believed they were in a story. Whoever sold them on playing had probably told them that D&D was collaborative storytelling.

The player assumed that this was a story wherein their character wouldn’t be killed unless it served the story of their character. The player, thinking their character was the hero in a story about their character, chose to be defiant.

The error comes when the DM tried to ride the Storytelling horse and the Playing a Game horse at the same time. She decided the correct game response was to kill the character which confused the player. The player thought they were in a story when suddenly, they were in a game with constraints and rules.

You tell a story or you play a game. When you try to do both, it creates problems.

Horse Number 1: I’m Telling My Story.

You can’t swing a dead Tabaxi sorcerer without hearing the word “story” in discussions of 5E D&D.

This approach suggests the DM or designer will produce predetermined plot points, cut scenes, and scripted boss fights, very much like the design of a computer RPG. The players get to fill in the details of how they get to the final boss fight but it is assumed that the players will follow the breadcrumbs and fight the boss.

It is assumed that even if the players deviate from the primary storyline, they will return to the plot at some point and complete the adventure as intended by the DM or designer.

When you ride the “story horse”, the plot points, story beats, and ultimate climactic battle of the campaign (which has been predetermined) is the criteria by which the DM makes all decisions. Anything that doesn’t conform to the story cannot be allowed.

When you are riding the story horse; the players will not decide to join forces with the bad guy because he’s right; The Harpers are a bunch of stuck up douche bags.

At no point will the players say, “Fuck this. I’m a first level adventurer and those are dragons up there. We’re going where there aren’t any dragons.”

Players will never say, “Fuck Ten Towns. It’s too damn cold up here. Let’s go back to Waterdeep and steal some shit.”

They engage with the DM’s story because that is what they think they are supposed to do, even if it makes no sense from a game play perspective.

There was another recent Twitter fight where many DMs said they let combat go on as long as it felt dramatic.

When the feeling of the table started to turn and the players started getting bored, the villain/monster would die and on to the next scene. The players might have felt like they were playing a game but in reality, they were enacting a story beat with a predetermined ending.

The combat wasn’t a fight, it was a roller coaster.

It was intended to give you the experience of danger without your character actually being in danger. The DM rolling dice was to give the illusion that it was a fight.

This is an extreme example of riding the story horse, that kind of makes sense. If you are going to ride that horse, you might as well go all the way.

Many (perhaps most?) players of the current edition like these sorts of campaigns.

Horse Number 2: We’re Playing a Game.

The other horse you can ride is the “game horse.” Dungeons and Dragons is a game. It’s a particular type of game that has narrative elements, but it is a game.

One feature of games is uncertain outcomes. In board games or card games, the possible outcomes are limited. In chess, we know that white wins, black wins or there will be a draw. We don’t know which it will be. That’s why we play the game; to find out. The choices the players make determine the outcome.

When you ride the “game horse” you allow the game rules, procedures, and mechanisms to determine what happens. The players may think and sometimes will say, “Well the DM dropped this clue here so he must want us to go to the bandit’s lair to release the prisoners.” The DM riding the Game Horse doesn’t care where you go or what you do as long as you do something that is interesting.

They didn’t write a story. They designed a situation. Engage with it how you like. Be a hero. Be a scoundrel. Be a murder hobo. It’s all fine.

You Can’t Ride Both Horses At The Same Time

My hypothesis is that the DM in the Reddit post was trying to ride two horses despite having one ass.

She had a story to tell: A mob boss captures the party, makes them an offer they can’t refuse so that they advance to the next plot point of the story.

She was also trying to play a game: The PC insulted the mob boss and the NPC’s reaction was to kill the character.

When you try to do both of those things at the same time. You get confused and angry players.

They think they are the protagonist in your story but then they find out they are pawns on the chess board and can be sacrificed.

No wonder the player was confused.

D&D IS ALL ABOUT COLLABORATIVE STORYTELLING!!!

Many of the comments in the ensuing Twitter battle assumed this rarely explored underlying premise. “Dungeons & Dragons is collaborative storytelling.”

It is unassailable doctrine in the minds of many DMs of the “new school.”

On nearly every social media site, blog posts, nerdy websites and news media sites; we get the rejoinder, “D&D is all about collaborative storytelling.”

I can’t say that I have ever agreed. The longer I play, the more certain I am that it is false.

Judging from my observations of the most popular 5E blogs, YouTube channels and threads on social media; That DM’s role is to tell a story is a dominant belief. Not every DM thinks that way but many do and many players agree.

Almost no one defines what “collaborative storytelling” actually is or describes how to do it effectively using the D&D mechanisms as the engine. I searched on Google for “collaborative storytelling dungeons and dragons.” What I found was interesting.

I assumed that there would a definitive, concise, authoritative definition of “collaborative storytelling” as applied to D&D and I didn’t find one.

What I found was a lot of references to it but no one describing what they meant by that term.

What I find incredibly bizarre juxtaposed with this claim that Dungeons & Dragons is collaborative storytelling is the degree to which “new school” players focus on the game mechanics and how to “build” a character.

I see frequent posts on various site about how this character isn’t optimal for combat and if you combine this race with this class and these backgrounds you have this ability to do whatever. Players want to roll persuasion/intimidation/exsanguination to get a better deal on ale in the tavern and then declare they prefer role-playing over roll-playing.

If your DM is fudging the dice and making sure the combat is dramatic; if your DM isn’t going to kill the characters unless it serves the story; if you aren’t going to go off the bread crumb trail because that is where the adventure is then why roll dice at all? Why bother with the build?

The two approaches are contradictory.

Why not play a “story” game like Apocalypse World?

Why not write a character background, hand it to the “storyteller” and have them tell you what happens in the story?

You could sit at the table and improv how you get there. That’s what is happening when a DM rides the Story Horse. It looks like and feels like a game (sometimes), but really its interactive narrative with a predetermined outcome that you solve like a puzzle.

One area where I agree with the designers who come out of the Forge and “story game” scenes is that D&D is shit for telling stories of Player Characters.

Dungeons & Dragons is a game that creates stories. You aren’t telling the story. You are creating the story. This is a subtle but important difference.

You weren’t telling a story when that person nearly stepped into traffic because they were looking at their phone. When you grabbed them from behind, just before that garbage truck roared by, you weren’t telling a story. You were experiencing an event.

Did you plan that when you left your apartment that morning? Did you think, “I need to make a story about saving someone’s life. I think I’ll live a story where I save someone from killing themselves this morning?”

You were in a situation. You made a decision. You took an action. That action had an outcome and then you told your roommate the story.

You didn’t plot the story out before you left. You experienced an event which created a story.

Emergent Narrative or “I have no fucking idea how we got here.”

In tabletop role-playing games, played properly, the outcome is unpredictable.

I create and tell stories but they are the stories of the setting, the monsters and the NPCs that occurred BEFORE the campaign began. I also create and tell stories in the form of rumors about events happening in other parts of the campaign world. I do this to create the sense of sekaikan for the players.

That isn’t me telling the player characters’ story. The PC’s story is created, it emerges, through play.

I started my Hogwater campaign in the summer of 2018. I had no idea that the players would form a mercenary company, sack two cities, kill the Grand Druid, become potent servants of Chaos, build their own city, travel to the plane of Limbo, and kill a demi-god.

I had no idea that any of that would happen, but it did. All I knew was that the first level adventuring party had washed up in a shitty little town on the borderlands; the lord was a drunk and incompetent, there were some bandits, a couple of dungeons, some monsters laired up in some nearby ruins, the local druids were assholes, the inn keeper had an interesting secret, and the lord of the neighboring demesne intended to invade and take the joint over. Seriously. I didn’t know much more than that.

Why? We were playing a game. It had an uncertain outcome. The players made choices and those choices had consequences for good and for ill. I did not have a plot. I did not have a story to tell. I had some ideas. I had situations. I had some dungeons that I bought, things I stole from blogs and a crappy map that took about 15 minutes to draw. That’s it.

30 months and all kinds of mayhem later, we had a complete campaign. Dozens of stories that we are still telling friends and new players at the table.

Just the other day, my 80 year old mother in law, who has never played D&D in her life, was laughing about some ridiculous story I told about something my players had got up to in that campaign.

I didn’t intend for it to go that way. I had no idea it would happen that way but it did.

Ride the Game Horse or Ride the Story Horse

If you want to run an interactive narrative for your players and they like that sort of thing, go for it. A lot of people are into it. If you are one of those people, Awesome. You do you. Not my preference, at all.

You might want to communicate to your game group that you are telling your story and that will be the basis upon which you will be making your rulings. You should also keep it foremost in your own mind that you are telling a story so that you can make decisions according to the imperative of the story and conventions of the story’s genre.

If you try to ride both horses and make a decision that doesn’t fit the story but does match up with the game rules, the players are going to get angry and confused. The outcome will be incoherent.

Personally, I’m going to ride the Game Horse and you can too.

There is nothing in the game mechanisms that prevents you from running 5E the way I run Swords and Wizardry. You will almost certainly have better stories to tell after the game is over than you will if you try to create a story before the game starts.

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Hat tip to Paths Peculiar and Aaron the Pedantic for inspiring this post.